Turkey Set of 4 UNC Banknotes | 10–1000 Lira | P#193–P#196

10 Lira | P#193 | 1979–1982

Front: Mustafa Kemal Atatürk provides the principal portrait and establishes the shared obverse identity of the four-note group.

Back: Young students are shown presenting flowers to Atatürk. Unlike the monument-focused designs found elsewhere in the set, this scene introduces a human and educational theme.

Why It Matters in the Set: The 10 Lira opens the group and provides its smallest denomination, while its student scene makes the reverse immediately recognizable.

100 Lira | P#194 | 1983–1984

Front: Mustafa Kemal Atatürk continues the consistent portrait theme established by the 10 Lira.

Back: Mehmet Akif Ersoy appears together with Ankara Citadel, his historic Ankara residence, and verses from İstiklâl Marşı, the Turkish National Anthem.

Why It Matters in the Set: P#194 introduces literature and national identity into the collection, creating a sharp visual contrast with the student imagery of P#193.

500 Lira | P#195 | 1983–1984

Front: Mustafa Kemal Atatürk remains the central obverse subject as the set progresses into its higher denominations.

Back: The iconic İzmir Clock Tower dominates the reverse, giving this denomination a clear architectural and geographic identity.

Why It Matters in the Set: The 500 Lira shifts the visual story toward western Türkiye and adds a famous İzmir landmark to the group.

1000 Lira | P#196 | 1986–1988

Front: Mustafa Kemal Atatürk completes the common portrait sequence across all four obverses.

Back: Fatih Sultan Mehmet (Mehmed II) appears alongside a historic Istanbul panorama featuring recognizable elements of the city’s skyline.

Why It Matters in the Set: As the highest denomination included, P#196 gives the group a strong finishing note and adds an Ottoman and Istanbul-focused collector theme.

The appeal of this set comes from what happens when the four notes are viewed together.

On the fronts, Atatürk creates an unmistakable visual connection across the series. Turn the notes over, however, and each denomination develops its own identity.

The 10 Lira introduces youth and education. Next, the 100 Lira moves into literature and the Turkish National Anthem. The 500 Lira changes direction again through İzmir architecture. Finally, the 1000 Lira closes the group with Fatih Sultan Mehmet and historic Istanbul.

Therefore, the buyer receives much more than four different face values. The set combines several major Turkish cultural and visual themes within one compact E7 group.

Buying individual banknotes works well when only one catalogue position is missing. However, collectors starting or expanding an E7 section can fill four consecutive Pick references in a single purchase with this set.

The uniform UNC condition is another advantage. Instead of combining heavily circulated and uncirculated examples, all four notes are intended to provide a clean, consistent presentation when arranged together.

Moreover, the denomination progression from 10 to 1000 Lira creates an attractive album sequence while the changing reverse designs prevent the group from feeling repetitive.

This set becomes particularly interesting when the fronts and backs are displayed side by side.

Arrange the fronts together and the recurring Atatürk portrait reveals the shared E7 identity. Display the reverses together and the collection transforms into four different scenes covering people, literature, architecture, İzmir, Ankara, and Istanbul.

As a result, the set works especially well for collectors who enjoy visual comparison rather than simply storing individual denominations independently.

The four-note catalogue progression is straightforward:

P#193 → P#194 → P#195 → P#196

The denomination progression is equally clear:

10 → 100 → 500 → 1000 Lira

Together, these four notes form a consecutive catalogue run within the E7 Emission Group. Therefore, the set provides a ready-made foundation for collectors who want to build further into this Turkish banknote period.

• Four genuine banknotes: 10, 100, 500, and 1000 Lira.
• Consecutive catalogue run: P#193 through P#196 in one group.
• All UNC: Consistent uncirculated condition across the four denominations.
• Atatürk fronts: A unified portrait identity throughout the set.
• Four different reverses: Students, Mehmet Akif Ersoy, İzmir Clock Tower, and Fatih Sultan Mehmet with Istanbul.
• Ready-made collection: A practical alternative to sourcing the four catalogue positions individually.

• Sleeve individually: Use one acid-free and PVC-free holder for each banknote.
• Arrange in sequence: Keep P#193 through P#196 together for easy catalogue reference.
• Protect UNC quality: Minimize handling and hold the notes only by their edges when necessary.
• Display both sides: The contrasting reverse designs are an important part of this set’s collector appeal.
• Store correctly: Avoid direct sunlight, excessive heat, moisture, and pressure.

Four consecutive E7 catalogue references, four rising denominations, consistent UNC condition, and four completely different reverse themes make this Turkey P#193–P#196 set a practical way to add a substantial ready-made group to a Turkish banknote collection.